Street Art: Art in Public Space


Visual art has appeared in public spaces for thousands of years, from murals and monuments to paintings on civic and religious buildings. During the late twentieth century, however, artists in densely populated cities developed new forms of unsanctioned and community-based visual expression that operated outside traditional galleries. In New York City during the 1970s and 1980s, graffiti writers and other artists used subway cars, brick walls, temporary construction barriers, and unused advertising panels as surfaces. These practices helped shape what came to be called Street Art: a broad and debated category for visual work created in, inspired by, or closely connected to public space.
- hierarchy:
- A system where people, ideas, or things are ranked in order of status or importance.
- convergence:
- The coming together or merging of two or more distinct things into a single whole.
- manifesto:
- A written public statement outlining the intentions, beliefs, or policies of an organization or movement.
- stencil:
- A sheet of material with a cutout design through which ink or paint is applied to create an image.
- derelict:
- In a very poor condition as a result of disuse, neglect, or abandonment.
- ephemeral:
- Lasting for only a very brief or short period of time.
- commercialization:
- The process of managing or exploiting something primarily for financial profit.
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Preview questions from this passageShowHide
- 1How does the opening distinguish older public art traditions from the late-twentieth-century practices associated with Street Art?
- 2According to the passage, in what ways did Street Art develop from both modern graffiti and heritage muralism?
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About this explanatory article passage for Middle School
“Street Art: Art in Public Space” is a explanatory article reading passage about Street Art, written for Middle School. It takes about 5 minutes to read (677 words) and comes with an interactive quiz and a printable worksheet with comprehension questions and an answer key.


